Postwar Faculty Colloquium 2020 logo

Postwar studies is an important interdisciplinary field of inquiry in the humanities. Please join us in developing a postwar studies presence in North Texas by sharing your work in a one-day colloquium: March 20, 2020 from 9:30 a.m. – 5:30 p.m. in Union 382 on UNT’s Denton campus. We look forward learning about your interventions in the field.

2020 Keynote Speakers

Photo of Amy Ongiri

AMY ABUGO ONGIRI
"Morning Keynote: TBA"

Associate Professor and Jill Beck Director of Film Studies at Lawrence University. She is the author of Spectacular Blackness: The Cultural Politics of the Black Arts Movement and the Search to Define a Black Aesthetic (Virginia 2009) and at work on Damaged: The Symbionese Liberation Army, the Crisis of the New Left, and the Rise of Contemporary Media Culture. She has written numerous articles regarding the Black Panther and Black Arts movements, African American film, and black spectatorship, and she is the recipient of the Rev. Martin Luther King, Jr. Outstanding Educator Award, Fox Cities Celebrate Diversity (2017), and numerous teaching and leadership recognitions. Professor Ongiri was Visiting Scholar, National Taiwan Normal University (2012) and is an internationally invited speaker.

Photo of Erika Doss

Erika Doss
“Afternoon Keynote: TBA”

Professor (and Interim Chair) of American Studies; of Art, Art History, and Design; and of History at the University of Notre Dame. She is the author of numerous books, including Elvis Culture: Fans, Faith, and Image (Kansas 1999) and most recently Memorial Mania: Public Feeling in America (Chicago 2010) and American Art of the 20th-21st Centuries (Oxford 2019). She is a Gentling Fellow at the Amon Carter Museum and a Senior Fellow at the Rockwell Center for Visual Studies (Stockbridge, MA). She serves on the Advisory Board of Archives of American Art Journal, the University of San Diego Humanities Center, and the Circulating American Magazines Project; she has curated and consulted on numerous exhibits since the early 1980s, and she is at work on Troubling Memorials: Reckoning with Disgraced Monuments and Problematic Public Art in America and Faith in Transit: Airport Chapels in the 21st Century, among other projects. Professor Doss is the recipient of a Distinguished Alumni Citation from Ripon College, a Terra Foundation for American Art International Publication Award for translation of Twentieth Century American Art, and the 2011 Ray and Pat Browne Award of the Popular Culture/American Culture Association, for Memorial Mania, among numerous other recognitions.

PARTICIPANTS

Photo of Agatha Beins

AGATHA BEINS teaches in the Department of Multicultural Women’s and Gender Studies at Texas Woman’s University. Her book Liberation in Print: Feminist Periodicals and Social Movement Identity analyzes US feminist newsletters and newspapers published in the 1970s. In addition to her interest in feminist print cultures, she writes and teaches about the relationship between art and activism, feminist pedagogies, the institutionalization of women’s studies, and food studies. She also serves as editor for the online, open access journal Films for the Feminist Classroom

HARRY BENSHOFF is a Professor of Media Arts at the University of North Texas. He is the author of Monsters in the Closet: Homosexuality and the Horror Film (Manchester University Press, 1997), Dark Shadows (Wayne State University Press, 2011), and editor of A Companion to the Horror Film (Wiley-Blackwell, 2014). He is the author or co-author of several popular textbooks in film and media studies, as well as monographs and edited volumes on LGBTQ cinema.

Photo ofJoseph Darda

Joseph Darda is an assistant professor of English and comparative race and ethnic studies at Texas Christian University. He is the author of Empire of Defense: Race and the Cultural Politics of Permanent War (University of Chicago Press, 2019), a cultural history of national defense and race from the formation of the Department of Defense in the late 1940s to the long wars of the twenty-first century. He has published articles in such journals as American Literature, American Quarterly, Contemporary Literature, Critical Inquiry, and Modern Fiction Studies and contributed essays and op-eds to the Austin American-Statesman, the Dallas Morning News, and the Los Angeles Reviews of Books.

Photo of Darryl Dickson Carr

DARRYL DICKSON-CARR is Professor and Chair of English at Southern Methodist University. He has authored Spoofing the Modern: Satire in the Harlem Renaissance (U of South Carolina P, 2015), The Columbia Guide to Contemporary African American Fiction (Columbia UP, 2005), and African American Satire: The Sacredly Profane Novel (U of Missouri P, 2001).

Photo of Jacqueline Foertsch

JACQUELINE FOERTSCH is Professor of English at the University of North Texas and the author of five books in postwar American literature and culture. Her current project is Freedom’s Ring: Literatures of Liberation from Civil Rights to the Second Wave.

Photo of Sean Griffin

SEAN GRIFFIN is a Professor in the Division of Film and Media Arts at Southern Methodist University. He received his PhD from the University of Southern California in 1997, and his dissertation became the book Tinker Belles and Evil Queens: The Walt Disney Company from the Inside Out. He is also the author of Free and Easy: A Defining History of the American Musical Film, and co-author of America on Film: Race, Class, Gender and Sexuality at the Movies and Queer Images: A History of Lesbian and Gay Film in America.

Photo of Liz Kim

LIZ KIM is an assistant professor of art history at Texas Woman’s University. Specializing in American art, her research focuses on women and modern art, as well as political artistic practices in the US during the late 20th century. Her current projects include research on women modernists in Texas, a book manuscript on video art theory, and ongoing work on the history of media activist groups.

Photo of George Larke-Walsh

GEORGE LARKE-WALSH is an Assistant Professor in the Media Arts department at the University of North Texas. Current scholarly projects are focused on documentary history and theory as well as the gangster genre in international cinema. Her publishing history includes articles on authorship and performativity in documentary as well various articles and a book on the representation of the Mafia in Hollywood cinema.

Photo of Rachel Louise Moran

RACHEL LOUISE MORAN is an Assistant Professor of History at the University of North Texas. Her first book, Governing Bodies: American Politics and the Shaping of the Modern Physique, was published by the University of Pennsylvania Press in 2018. She is now writing on a book on postpartum depression in the modern U.S. Her current work has been funded by the National Science Foundation and the American College of Obstetrics and Gynecologists.

Photo of Andrew McGregor

ANDREW MCGREGOR is a Visiting Assistant Professor of History at Texas A&M University–Texarkana. His research focuses on the intersection of race, politics, and sports in the American culture, and has been featured in the Washington Post and on ESPN. He is currently working on a book entitled: From Steinbeck to Haggard: How College Football Redefined “Okies” and Transformed Oklahoma.

Photo of Wesley Phelps

WESLEY PHELPS is Assistant Professor of History at the University of North Texas where he teaches courses on recent United States history, the American South, and LGBTQ history. His first book, A People’s War on Poverty: Urban Politics and Grassroots Activists in Houston, was published by the University of Georgia Press in 2014. He has also published articles in Journal of Southern History and Peace and Change. His current book project, tentatively titled Before Lawrence: Texas Sodomy Laws and the Making of a Queer Social Movement, investigates legal challenges to Texas sodomy laws between 1867 and 2003.

Photo of Clark Pomerleau

CLARK POMERLEAU is Associate Professor and Associate Chair of History at UNT and a specialist in US women’s, gender, and sexuality history. His book, Califia Women: Feminist Education against Sexism, Classism, and Racism, addresses post-1945 social movement history as the first major study of alternative education feminists created that undergird their institution building in the 1970s through 1980s.

Photo of Lee Demetrius Walker

LEE DEMETRIUS WALKER is associate professor of Political Science and Associate Chair of the Department of Political Science at the University of North Texas. He served as Program Director for the National Science Foundation Political Science Program from 2014 to 2016. His teaching and research interests focus on the areas of comparative judicial politics, Latin American politics, comparative political behavior, comparative democratization and political methodology. He has published his work in Journal of Politics, Comparative Politics, Political Research Quarterly, Electoral Studies, Law and Society Review, Party Politics, Latin American Research Review, and others.

Photo of Rick Worldand

RICK WORLAND received his Ph.D. in Theater Arts from UCLA. He is a Professor in the Division of Film & Media Arts at Southern Methodist University, where his teaching includes film history, documentary, popular genres including the Western and the horror film, television history, and the films of Alfred Hitchcock. His work has been published in Cinema Journal, The Journal of Film & Video, and The Journal of Popular Film & Television among others. His first book, The Horror Film: An Introduction appeared in 2007 from Wiley-Blackwell. His second book, Searching for New Frontiers: Hollywood Films in the 1960s was published by Wiley-Blackwell in 2018.

Photo of James Zeigler

JAMES ZEIGLER is Associate Professor of English and Affiliate Faculty in Environmental Studies at the University of Oklahoma, where he teaches courses on American Literature, the Graphic Novel, and Environmental Humanities. He is the author of Red Scare Racism and Cold War Black Radicalism (UP Mississippi 2015) and General Editor of the journal Genre.

Event Parking

Highland Street Garage
Ave A and Highland Street
620 Central Ave, Denton TX, 76201