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2.1—SPRING 1970

     Articles:

  • “Burden’s Complaint: The Disintegrated Personality as Theme and Style in Warren’s All the King’s Men”—Jerome Meckier, p. 7
  • “Running in Circles: A Major Motif in Lord of the Flies”—Eugene Hollahan, p. 22
  • “Modes of Perception: The Will to Live in Jude the Obscure”—Richard Benvenuto, p. 31
  • “The Criminal-Victim Pattern in Huxley’s Point Counter Point”—Donald J. Watt, p. 42
  • “Howellsian Sex”—Arthur Boardman, p. 52
  • “The Sound and the Fury: Quentin Compson and Faulkner’s ‘Tragedy of Passion’”—James M. Mellard, p. 62
  • “An Interview in London with Angus Wilson”—Jack I. Biles, p. 76
     Review Essays:

  • “The Mark Twain Papers and Henry James: The Treacherous Years”—Edward Wagenknecht, p. 88
  • “Four Studies of Saul Bellow”—Robert H. Fossum, p. 99
2.2—SUMMER 1970—British Neo-Classical Novel Special Number

     Articles:

  • “What Was New About the ‘New Species of Writing’?”—William Park, p. 112
  • “The Equation of Love and Money in Moll Flanders”—Juliet McMaster, p. 131
  • “The Structure of Roxana”—Ralph E. Jenkins, p. 145
  • “The Moral Function of Thwackum, Square, and Allworthy”—Sean Shesgreen, p. 159
  • “Fulfillment Through Frustration: Some Aspects of Sterne’s Art of the Incomplete in A Sentimental Journey”—Gene Koppel, p. 168
  • “Comparison’s Blessed Felicity: Character Arrangement in Emma”—James Kissane, p. 173 “Irony and Mr. Knightley”—Charles A. Knight, p. 185
  • “Minds Bewildered and Astray: The Crawfords in Mansfield Park”—John Lauber, p. 194
  • “Jane Austen and The Female Quixote”—Elaine M. Kauvar, p. 211
     Review Essays:

  • “Review of Ronald Paulson’s, Satire and the Novel in Eighteenth-Century England”—Morris Golden, p. 222
  • “Henry Fielding’s War on the Corrupt Word: A Review of Glenn W. Hatfield’s Henry Fielding and the Language of Irony”—Henry Knight Miller, p. 230
  • “A Review of Robert Alter’s, Fielding and the Nature of the Novel”—Andrew Wright, p. 239
  • “Fielding’s Novels: Selected Criticism (1940-1969)”—Alice Jobe, p. 246
2.3—FALL 1970

     Articles:

  • “Cooper’s ‘Composite Order’: The Pioneers as Structured Art”—Gerry Brenner, p. 264
  • “Henry James’s The American: Voyons”—Stanley Tick, p. 276
  • “A Structural Analysis of James’s Roderick Hudson”—Paul S. Speck, p. 292
  • “‘If you did not go forward’: Process and Stasis in A Farwell to Arms”—Robert Murray Davis, p. 305
  • “The Search for Black Redemption: Jean Toomer’s Cane”—John M. Reilly, p. 312
  • An Interview in New Haven with Robert Penn Warren—p. 325
  • “At a Crossroads: The Life and Thought of George Eliot”—Richard Benvenuto, p. 355
     Reviews:

  • Briggs, The Novels of Harold Frederic—Stanton Garner, p. 364
  • Brignano, Richard Wright: An Introduction to the Man and His Works and Margolies, The Art of Richard Wright—Nancy M. Tischler, p. 365
  • Gibson, The Fiction of Stephen Crane—James W. Gargano, p. 368
  • Goldberg, The Art of Joseph Andrews—Jacob H. Adler, p. 371
  • Hurst, Maria Edgeworth and the Public Scene and Newcomer, Maria Edgeworth the Novelist—Alan T. McKenzie, p. 373
  • Smith, Dickens, Money, and Society—Lauriat Lane, Jr., p. 377
  • Vanderbilt, The Achievement of William Dean Howells: A Reinterpretation—Martin Bucco, p. 379
  • Watson, The New Cambridge Bibliography of English Literature—William G. Lane, p. 380
  • Wylder, Hemingway’s Heroes—Richard W. Etulain, p. 382
  • Tomlin, ed., Charles Dickens, 1813-1870: A Centennial Volume—Robert F. Fleissner, p. 384
2.4—WINTER 1970—Nathaniel Hawthorne Special Number

     Articles:

  • “Posthumous Papers of a Decapitated Surveyor: The Scarlet Letter in the Salem Press”—C. E. Frazer Clark, Jr., p. 395
  • “Hawthorne and Melville Acquaint the Reader with Their Abodes”—Hyatt Waggoner, p. 420
  • “Hawthorne, the Hippie, and the Square”—Earl Hilton, p. 425
  • “Fanshawe: Hawthorne’s World of Images”—Leo B. Levy, p. 440
  • “Hawthorne and the Unpardonable Sin”—Shelia Dwight, p. 449
  • “Place, Time, and Moral Growth in The House of the Seven Gables”—Lewis B. Horne, p. 459
  • “The (Unmeretricious) House of the Seven Gables”—Frank Battaglia, p. 468
  • “The Scarlet Letter as Dialectic of Temperament and Idea”—Robert Stanton, p. 474
  • “The Marble Faun and the Editing of Nineteenth-Century Texts”—John Freehafer, p. 487
  • “Hawthorne Studies: The Seventies”—Buford Jones, p. 504
  • “Hawthorne Checklist”—Maurice Beebe and Jack Hardie, p. 519