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10.1—SPRING 1978—Stephen Crane Special Number

     Articles:

  • “Special Number on Stephen Crane, 1978”—Hershel Parker, p. 6
  • “The Red Badge of Courage Nobody Knows”—Henry Binder, p. 9
  • “The Red Badge of Courage and Interpretive Conventions: Critical Response to a Maimed Text”—Steven Mailloux, p. 48
  • “Maggie’s ‘Last Night’: Authorial Design and Editorial Patching”—Hershel Parker and Brian Higgins, p. 64
  • “Stephen Crane and the Narrative Methods of Impressionism”—James Nagel, p. 76
  • “The Permanence of Stephen Crane”—Thomas A. Gullason, p. 86
  • “Stephen Crane: An Autobibliography”—Eric Solomon, p. 96
  • “On Crane Now Edited: The University of Virginia Edition of The Works of Stephen Crane”—David J. Nordloh, p. 103
  • “Stephen Crane: A Review of Scholarship and Criticism since 1969”—Donald Pizer, p. 120
  • “Stephen Crane’s ‘The Merry-Go-Round’: An Earlier Version of ‘The Pace of Youth’”—Robert Morace, p. 146
  • “The Sketch’s ‘Mr. Stephen Crane’”—Robert Morace, p. 154
  • “A Letter from Grant Richards to Cora Crane”—Gordon Dossett, p. 156
  • “‘Old Soldiers Never Die’: A Note on Col. John L. Burleigh”—Sharon Carruthers, p. 158
  • “The Long Foreground of Corwin Knapp Linson’s My Stephen Crane”—Heddy A. Richter, p. 161
  • “A Sheaf of Contemporary American Reviews of Stephen Crane”—Marc Ferrara and Gordon Dossett, p. 168
10.2—SUMMER 1978

     Articles:

  • “James’s Sense of an Ending: The Role Played in Its Development by the Popular Conventional Epilogue”—Marianna Torgovnick, p. 183
  • “Savages in a ‘Bran-New’ World: Carlyle and Our Mutual Friend”—Barry V. Qualls, p. 199
  • “Russia and the West in Conrad’s Under Western Eyes”—H. S. Gilliam, p. 218
  • “Radical Disunities: Models of Mind and Madness in Pierre and The Idiot”—Joan Margretta, p. 234
  • “Language, Truth, and Logic in E. M. Forster’s Passage to India”—Gary Brock, p. 251
     Review Essay:

  • “Six Views of Melville”—Paul McCarthy, p. 267
     Reviews:

  • Brody, Julio Cortázar: Rayuela—Gene Bell-Villada, p. 280
  • Halperin, Trollope and Politics: A Study of the Pallisers and Others—Janet Egleson Dunleavy, p. 281
  • Kannenstine, The Art of Djuna Barnes: Duality and Damnation—Shari Denstock, p. 283
  • Langbaum, The Mysteries of Identity: A Theme in Modern Literature—Avron Fleishman, p. 284
  • Peake, James Joyce: The Citizen and the Artist—Phillip F. Herring, p. 288
  • Suvin, ed., H. G. Wells and Modern Science Fiction—William J. Scheick, p. 291
10.3—FALL 1978

     Articles:

  • “Silas Marner and Felix Holt: From Fairy Tale to Feminism”—Richard Conway, p. 295
  • “Muddle and Wonderful No-Meaning: Verbal Irresponsibility and Verbal Failures in Hard Times”—Peter Bracher, p. 305
  • “‘A Good Hand at a Serial’: Thomas Hardy and the Serialization of Far From the Madding Crowd”—Lawrence Jones, p. 320
  • “‘And the Woman Is Dead Now’: A Reconsideration of Conrad’s Stein”—Elizabeth Brody Tenenbaum, p. 335
  • “Moby-Dick, an American Lyrical Novel”—Bert Bender, p. 346
     Reviews:

  • Bloom, Anatomies of Egotism: A Reading of the Last Novels of H. G. Wells—Robert M. Philmus, p. 358
  • Hemenway, Zora Neale Hurston: A Literary Biography—Robert E. Fleming, p. 360
  • Pinion, Thomas Hardy: Art and Thought and Page, Thomas Hardy—Mary Saunders, p. 361
  • Pollard, Anthony Trollope and Terry, Anthony Trollope: The Artist in Hiding and Cockshut, Man and Woman: A Study of Love and the Novel 1740-1940—John Halperin, p. 363
  • Purdy and Millgate, eds., The Collected Letters of Thomas Hardy, Vol. I (1840-1892) and Gittings, Thomas Hardy’s Later Years—John P. Farrell, p. 368
  • Spacks, Imagining Self: Autobiography and Novel in Eighteenth-Century England—Stuart M. Tave, p. 370
  • Walsh, Patrick White’s Fiction—Manly Johnson, p. 371
10.4—WINTER 1978

     Articles:

  • “David Copperfield: ‘The Theme of This Incomprehensible Conundrum Was the Moon’”—Mark M. Hennelly, Jr., p. 375
  • “The Jew as Underground/Confidence Man: I. B. Singer’s Enemies, a Love Story”—Ben Siegel, p. 397
  • “Melville’s Mardi: One Book or Three?”—J. Michael Sears, p. 411
  • “Omoo: Germinal Melville”—Steven E. Kemper, p. 420
  • “James and Emerson: The Ethical Context of The Ambassadors”—David Robinson, p. 431
  • “‘Suitable Conclusions’: The Two Endings of Oates’s Wonderland”—David Leon Higdon, p. 447
     Review Essay:

  • “Women and Fiction: Life as Imitation of Art”—Lydia Blanchard, p. 454
     Reviews:

  • Albright, Personality and Impersonality: Lawrence, Woolf, and Mann and Russell, Style in Modern British Fiction: Studies in Joyce, Lawrence, Forster, Lewis and Green—Eugene Goodheart, p. 462
  • Herring, ed., Joyce’s Notes and Early Drafts for “Ulysses”: Selections from the Buffalo Collection—A. Walton Luiz, p. 464
  • Holquist, Dostoevsky and the Novel—Sona Stephan Hoisington, p. 467
  • King, Tragedy in the Victorian Novel—Theory and Practice in the Novels of George Eliot, Thomas Hardy and Henry James—Cedric Cullingford, p. 468
  • Peck, A World by Itself: The Pastoral Moment in Cooper’s Fiction—Richard D. Rust, p. 470
  • Romano, Dickens and Reality and Westburg, The Confessional Fictions of Charles Dickens—William Burgan, p. 471
  • Sekora, Luxury: The Concept in Western Thought, Eden to Smollett—Elizabeth Cullingford, p. 476
  • Smith, Lawrence and Women—Karl Vsadnik, p. 477