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33.1—SPRING 2001

     Articles:

  • “Representing Scotland in Roderick Random and Humphry Clinker: Smollett’s Development as a Novelist”—Alfred Lutz, p. 1
  • “Black and White and Read All Over: Performative Textuality in Bram Stoker’s Dracula”—Harriet Hustis, p. 18
  • “‘Our Representative, Our Spokesman’: Modernity, Professionalism, and Representation in Virginia Woolf’s Between the Acts”—Andrew John Miller, p. 34
  • “Veribly a Purple Cow: The Whole Family and the Collaborative Search For Coherence”—Susanna Ashton, p. 51
  • “Living Without a Life: Disintegration of the Christian-Humanist Synthesis in Molloy”—Eric P. Levy, p. 80
  • “Raymond Chandler and the Art of the Hollywood Novel: Individualism and Populism in The Little Sister”—Chip Rhodes, p. 95
     Reviews:

  • Bowen, John. Other Dickens: Pickwick to Chuzzlewit—Richard J. Dunn, p. 112
  • Gillooly, Eileen. Smile of Discontent: Humor, Gender, and Nineteenth-Century British Fiction—Audrey Bilger, p. 116
  • Grice, Helena and Tim Woods, eds. “I’m Telling You Stories”: Jeanette Winterson and the Politics of Reading—W. S. Hampl, p. 119
  • Kremer, S. Lillian. Women’s Holocaust Writing: Memory and Imagination—Victoria Aarons, p. 121
  • Lord, Ursula. Solitude versus Solidarity in the Novels of Joseph Conrad: Political and Epistemological Implications of Narrative Innovation—Andrea White, p. 123

33.2—SUMMER 2001

     Articles:

  • “‘A Melancholy Tale’: Rhetoric, Fiction, and Passion in The Coquette”—Ian Finseth, p. 125
  • “Stephen Dedalus and the Politics of Confession”—Jonathan Mulrooney, p. 160
  • “‘The Saloon Must Go, and I Will Take It With Me’: American Prohibition, Nationalism, and Expatriation in The Sun Also Rises”—Jeffrey A. Schwarz, p. 180
  • “Images of Rape and Buggery: Paul Scott’s View of the Dual Evils of Empire”—Janis E. Haswell, p. 202
     Essay-Review:

  • “Edith Wharton and the Matter of Contexts”—Michael Nowlin, p. 224
     Reviews:

  • Byron, Glennis and David Punter, eds. Spectral Readings: Towards a Gothic Geography—Diane Long Hoeveler, p. 230
  • Farrell, Kirby. Post-traumatic Culture: Injury and Interpretation in the Nineties—Lisa Woolfork, p. 232
  • Franklin, J. Jeffrey. Serious Play: The Cultural Form of the Nineteenth-Century Realist Novel—Elisabeth Rose Gruner, p. 235
  • Gandal, Keith. The Virtues of the Vicious: Jacob Riis, Stephen Crane, and the Spectacle of the Slum—Cynthia J. Davis, p. 237
  • Schaffer, Talia. The Forgotten Female Aesthetes: Literary Culture in Late-Victorian England—Heather Marcovitch, p. 240
  • Schwarz, Daniel. Imagining the Holocaust—Daniel Morris, p. 243

33.3—FALL 2001

     Articles:

  • “Narrative of the Captivity and Redemption of Roger Prynne: Rereading The Scarlet Letter”—Bethany Reid, p. 247
  • “Soldier Boy: Forming Masculinity in Adam Bede”—John R. Reed, p. 268
  • “Seeing into ‘the life of things’: Nature and Commodification in Phantom Fortune”—Patricia Marks, p. 285
  • “Construing Conrad’s The Secret Sharer: Suppressed Narratives, Subaltern Reception, and the Act of Interpretation”—Brian Richardson, p. 306
  • “Spectacular Homes and Pastoral Theaters: Gender, Urbanity and Domesticity in The House of Mirth”—Nancy Von Rosk, p. 322
     Essay-Reviews:

  • “The Scholar-Magicians of the Zone”—Dana Medoro, p. 351
  • “Pornography and the Fall of the Novel”—James Grantham Turner, p. 358
     Reviews:

  • Armstrong, Nancy. Fiction in the Age of Photography: The Legacy of British Realism—Victoria Warren, p. 366
  • Craig, Cairns. The Modern Scottish Novel: Narrative and the National Imagination—Gerald Carruthers, p. 368
  • Jaffe, Audrey. Scenes of Sympathy: Identity and Representations in Victorian Fiction—Richard Menke, p. 371
  • O’Donnell, Patrick. Latent Destinies, Cultural Paranoia and Contemporary U. S. Narrative—Christian Moraru, p. 375

33.4—WINTER 2001

     Articles:

  • “‘Too neat for a beggar’: Charity and Debt in Burney’s Cecilia”—Catherine Keohane, p. 379
  • “Confusions of Guilt and Complications of Evil: Hysteria and the High Price of Love at Mansfield Park”—Anna Mae Duane, p. 402
  • “‘The Ordinary Rules of the Pavé’: Urban Spaces in Scott’s Fortunes of Nigel”—George A. Drake, p. 416
  • “Miriam and the Conversion of the Jews in Nathaniel Hawthorne’s The Marble Faun”—Augustus M. Kolich, p. 430
  • “‘Practically Dead with Fine Rivalry’: The Leaning Towers of Katherine Anne Porter and Glenway Wescott”—Janis P. Stout, p. 444
     Essay-Review:

  • “‘Extreme Specialization’ and the Broad Highway: Approaching Contemporary American Fiction”—Jeffrey F. L. Partridge, p. 459
     Reviews:

  • Grant, J. Kerry. A Companion to “V.” and Horvath, Brooke and Irving Malin, eds. Pynchon and “Mason & Dixon”—Christian Moraru, p. 474
  • Leckie, Barbara. Culture and Adultery: The Novel, the Newspaper, and the Law, 1857-1914—Sally Mitchell, p. 476
  • Lewis, Pericles. Modernism, Nationalism, and the Novel—John G. Peters, p. 478
  • Pelaschiar, Laura. Writing the North: The Contemporary Novel in Northern Ireland—David Pierce, p. 480
  • Richard-Allerdyce, Diane. Anaïs Nin and the Remaking of Self: Gender, Modernism, and Narrative Identity—Sharon Spencer, p. 483
  • Schork, R. J. Joyce and Hagiography: Saints Above!—Dirk Van Hulle, p. 485