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21.1—SPRING 1989
Articles:
- “A Domestic Reading of The House of the Seven Gables”—Susan Van Zanten Gallagher, p. 1
- “The Fixed Eye and the Rolling Eye: Surveillance and Discipline in Hard Times”—Cynthia Northcutt Malone, p. 14
- “Gaskell’s Ghosts: Truths in Disguise”—Carol A. Martin, p. 27
- “The Legitimate Self in George Meredith’s Evan Harrington”—Natalie Cole Michta, p. 41
- “Writing Against Silences: Female Adolescent Development in the Novels of Willa Cather”—Susan J. Rosowski, p. 60
- “An Ethos of Reading: Reactions to Some Critical Assumptions in Recent Interpretations of the Works of James Joyce”—Michael Patrick Gillespie, p. 78
- Cunningham, British Writers of the Thirties—Fred Warner, p. 96
- Dekker, The American Historical Romance—Larry J. Reynolds, p. 98
- Devlin, The Novels and Journals of Fanny Burney—Mona Scheuermann, p. 100
- Duthie, The Brontës and Nature—Glenda A. Hudson, p. 100
- Everman, Who Says This?: The Authority of the Author, the Discourse, and the Reader—J. Madison Davis, p. 102
- Gilbert and Gubar, No Man’s Land: The Place of the Woman Writer in the Twentieth Century. Volume I: The War of the Worlds and Miles, The Female Form: Women Writers and the Conquest of the Novel—Katherine Fishburn, p. 104
- Miller, The Novel and the Police—Richard Hull, p. 108
- Mooneyham, Romance, Language, and Education in Jane Austen’s Novels—Barry Roth, p. 111
- Wright, Fictional Discourse and Historical Space: Defoe and Theroux, Austen and Forster, Conrad and Greene—Kevin L. Cope, p. 112
21.2—SUMMER 1989
Articles:
- “Jonathan Wild and the Epistemological Gulf Between Virtue and Vice”—Treadwell Ruml II, p. 117
- “Hard Times and the Structure of Industrialism: The Novel as Factory”—Patricia E. Johnson, p. 128
- “Four Ways to Inscribe a Mackerel: Mark Twain and Laura Hawkins”—Susan K. Harris, p. 138
- “The Critical Reception of the ‘Gabler Ulysses’: Or, Gabler’s Ulysses Kidd-napped”—Charles Rossman, p. 154
- “‘Lo’ and Behold: Solving the Lolita Riddle”—Trevor McNeely, p. 182
- “High Anxiety: Flann O’Brien’s Portrait of the Artist”—Thomas B. O’Grady, p. 200
- Milbauer and Watson, eds., Reading Philip Roth—David W. Madden, p. 210
- Morgan, Women and Sexuality in the Novels of Thomas Hardy—Annette Sisson, p. 211
- Mullan, Sentiment and Sociability: The Language of Feeling in the Eighteenth Century—Kevin Cope, p. 214
- Nelson, Willa Cather and France: In Search of the Lost Language—Joan Wylie Hall, p. 217
- Person, Aesthetic Headaches: Women and a Masculine Poetics in Poe, Melville, & Hawthorne—Vernon Hyles, p. 219
- Reynolds, Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville—Gary Scharnhorst, p. 221
- Schriber, Gender and the Writer’s Imagination, From Cooper to Wharton—Lee Bartlett, p. 223
- Schwarz, Reading Joyce’s “Ulysses”—Rosemarie A. Battaglia, p. 224
- Segal, Narcissus and Echo: Women in the French Récit—William R. Everdell, p. 228
- Woodress, Willa Cather: A Literary Life—Peter Casagrande, p. 229
21.3—FALL 1989
Articles:
- “The Silent Angel: Impediments to Female Expression in Frances Burney’s Novels”—Juliet McMaster, p. 235
- “Cooper’s Queen of the Woods: Judith Hutter in The Deerslayer”—Leland S. Person, Jr., p. 253
- “Betsey Trotwood and Jane Murdstone: Dickensian Doubles”—Natalie E. Schroeder and Ronald A. Schroeder, p. 268
- “Melville’s Gam with Poe in Moby-Dick: Bulkington and Pym”—Michael Hollister, p. 279
- “Victorian Hagiography: A Pattern of Allusions in Robert Elsmere and Hellbeck of Bannisdale”—R. J. Schork, p. 292
- “The Ulysses Connection: Clarissa Dalloway’s Bloomsday”—Harvena Richter, p. 305
- “Of Course the Whole Thing Was Couéism: The Heart of the Matter as a Critique of Emile Coué’s Psychotherapy”—Eugene Hollahan, p. 320
- “Holding the Mirror up to Hawthorne: Three Recent Critical Reflections”—John L. Idol, p. 332
- Anderson, Bennett, Wells, and Conrad: Narrative in Transition—Glenda A. Hudson, p. 339
- Dryden, The Form of American Romance—Gary Scharnhorst, p. 341
- Evans, Claude Simon and the Transgressions of Modern Art—Robert R. Brock, p. 342
- Lawson, Following Percy, Essays on Walker Percy’s Work—David W. Madden, p. 344
- Thompson, Between Self and World: The Novels of Jane Austen—Lila Graves, p. 346
- Varey, Henry Fielding—Rex Stamper, p. 349
- Wiesenfarth, Gothic Manners and the Classic English Novel—Elizabeth Langland, p. 352
21.4—WINTER 1989
Articles:
- “Judgment and Character, Evidence and the Law in Tom Jones”—Carl R. Kropf, p. 357
- “‘Do you never laugh, Miss Eyre?’: Humor, Wit and the Comic in Jane Eyre”—Cynthia Miecznikowski, p. 367
- “Finding a Woman’s Place: Gaskell and Authority”—Suzy Clarkson Holstein, p. 380
- “The Stranger in the Mirror: Incest, Text, and The Making of Meaning in Pierre”—Lee E. Heller, p. 389
- “A Re-vision of Miss Havisham: Her Expectations and Our Responses”—Linda Raphael, p. 400
- “Consciousness, Stream and Quanta, in To the Lighthouse”—Miriam Marty Clark, p. 413
- “Joyce Cary and the Question of Critical Context”—Melba Cuddy-Keane, p. 424
- “Céline: The Rumble Under Our Floorboards”—William K. Buckley, p. 432
- Beasley and Brack, eds., The Adventures of Ferdinand Count Fathom by Tobias Smollett—Kevin L. Cope, p. 442
- Bender, Sea-Brothers: The Tradition of American Sea Fiction from Moby-Dick to the Present—Vernon Hyles, p. 444
- Cahalan, The Irish Novel: A Critical History—Marilyn Throne, p. 446
- Cuoto, Graham Greene—On the Frontier: Politics and Religion in the Novels—J. Madison Davis, p. 448
- Doody, Frances Burney: The Life in the Works—Joseph F. Bartolomeo, p. 450
- Kay, Political Constructions: Defoe, Richardson, & Sterne in Relation to Hobbes, Hume, & Burke—Charles H. Hinnant, p. 452
- Mellor, Mary Shelley: Her Life, Her Fiction, Her Monsters and Sunstein, Mary Shelley: Romance and Reality—Laura Claridge, p. 454
- Patterson, Authority, Autonomy, and Representation in American Literature, 1776-1865—William R. Everdell, p. 458
- Peters, Thackeray’s Universe: Shifting Worlds of Imagination and Reality—Glenda A. Hudson, p. 460
- Reynolds, European Revolutions and the American Literary Renaissance—Lonnie L. Willis, p. 462
- Uphaus, ed., The Idea of the Novel in the Eighteenth Century—Barry Roth, p. 464
- Wilde, Oscar Wilde’s Oxford Notebooks: A Portrait of Mind in the Making, ed. Philip E. Smith II and Michael S. Helfand—Michael Patrick Gillespie, p. 466