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26.1 and 2—SUMMER 1994—Special Number: The Romantic Novel

     Articles:

  • “Introduction”—Scott Simpkins, p. 1
  • “Questioning the Romantic Novel”—Stephen C. Behrendt, p. 5
  • “Eighteenth-Century Periodicals and the Romantic Rise of the Novel”—Clifford Siskin, p. 26
  • “Mary Shelley’s Mathilda: Melancholy and the Political Economy of Romanticism”—Tilottama Rajan, p. 43
  • “Scott and the Scene of Explanation: Framing Contextuality in The Bride of Lammermoor”—James Chandler, p. 69
  • “Making it in a Brave New World: Marriage, Profession, and Anti-Romantic Ekstasis in Austen’s Persuasion”—Charles Rzepka, p. 99
  • “Amelia Opie’s Adeline Mowbray: Diverting the Libertine Gaze; or, The Vindication of a Fallen Woman”—Roxanne Eberle, p. 121
  • “Telling Tales About Genre: Poetry in the Romantic Novel”—Mary A. Favret, p. 153
  • “‘Unprepared for Sudden Transformations’: Identity and Politics in Melmoth the Wanderer”—Joseph Lew, p. 173

26.3—FALL 1994

     Articles:

  • “Mauling Governor Pyncheon”—Peter J. Bellis, p. 199
  • “Charlotte Brontė’s Villette: Forgeries of Sex and Self”—Laura E. Ciolkowski, p. 218
  • “Amy Levy and the ‘Jewish Novel’: Representing Jewish Life in the Victorian Period”—Linda Hunt, p. 235
  • “The Prisonhouse of My Disposition: A Study of the Psychology of Addiction in Dr. Jekyll and Mr. Hyde”—Daniel L. Wright, p. 254
  • “Staging the Gaze in D. H. Lawrence’s Women in Love”—Earl Ingersoll, p. 268
  • “Telling Tales About Genre: Poetry in the Romantic Novel”—Mary A. Favret, pg. 281
     Review Essay:

  • “Recontextualizing Henry James”—Kristin Boudreau, p. 301
     Reviews:

  • Carroll, David. George Eliot and the Conflict of Interpretations, A Reading of the Novels—Kathleen Blake, p. 310
  • Duncan, Jim. Modern Romance and Transformations of the Novel: The Gothic, Scott, Dickens—Ina Ferris, p. 312
  • Greenfield, Bruce. Narrating Discovery: The Romantic Explorer in American Literature, 1790-1855—Elizabeth Jane Wall Hinds, p. 314
  • Kauvar, Elaine. Cynthia Ozick’s Fiction: Tradition and Invention—Edward Alexander, p. 317
  • Kelsall, Malcolm. The Great Good Place: The Country House and English Literature—Cynthia Wall, p. 318
  • Kraft, Elizabeth. Character and Consciousness in Eighteenth-Century Comic Fiction—R. S. Krishnam, p. 322
  • Martinez-Bonati, Fèlix. “Don Quixote” and the Poetics of the Novel—James A. Parr, p. 325
  • Morrison, Toni. Playing in the Dark—Anne Stavney, p. 328
  • Small, Ian. Oscar Wilde Revalued: An Essay on New Materials and Methods of Research—Michael Patrick Gillespie, p. 330
  • Tetlow, Wendolyn E. Hemingway’s “In Our Time”: Lyrical Dimensions—Gail Sinclair, p. 332
  • Thoms, Peter. The Windings of the Labyrinth: Quest and Structure in the Major Novels of Wilkie Collins—Lillian Nayder, p. 334

26.4—WINTER 1994

     Articles:

  • “Of Woman Borne: Male Experience and Feminine Truth in Jane Austen’s Novels”—Sarah R. Morrison, p. 337
  • “Apocalypse When? Shirley’s Vision and the Politics of Reading”—Sally Greene, p. 350
  • “The Choice of Innocence: Hilda in The Marble Faun”—Emily Schiller, p. 372
  • “Apropos of Nothing: Chance and Narrative in Forster’s A Passage to India”—Leland Monk, p. 392
  • “Wifely Silence and Speech in Three Marriage Novels by H. G. Wells”—Janice H. Harris, p. 404
     Review Essay:

  • “Heart of Darkness: Recent Readings of Jane Austen”—Barry Roth, p. 420
     Reviews:

  • Andiamo, Joseph. Our Ladies of Darkness: Feminine Deaemonology in Male Gothic Fiction—Joseph W. Lew, p. 430
  • Boardman, Michael M. Narrative Innovation and Incoherence: Ideology in Defoe, Goldsmith, Austen, Eliot, and Hemingway—Shawn Lisa Maurer, p. 431
  • Clingman, Stephen. The Novels of Nadine Gordimer: History From the Inside and Ettin, Andrew Vogel. Betrayals of the Body Politic: The Literary Commitments of Nadine Gordimer—Judie Newman, p. 435
  • Cvetkovich, Anne. Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism—Pamela K. Gilbert, p. 438
  • Descombes, Vincent. Proust: Philosophy of the Novel—William C. Carter, p. 440
  • Hampson, Robert. Joseph Conrad: Betrayal and Identity—Brian W. Shaffer, p. 442
  • Sturgess, Philip J. M. Narrativity: Theory and Practice—Bernard Duyfhuizen, p. 444
  • Tintner, Adeline R. Henry James and the Lust of the Eyes: Thirteen Artists in his Work—Donald Stone, p. 447
  • Van Sant, Jessie. Eighteenth-Century Sensibility and the Novel: The Senses in Social Context—Sydny McMillen Conger, p. 449