ARCHIVES

Volume:
43 | 42 | 41 | 40 | 39 | 38 | 37 | 36 | 35 | 34 | 33 | 32 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 9 | 8 | 7 | 6 | 5 | 4 | 3 | 2 | 1

27.1—SPRING 1995

     Articles:

  • “Inevitable Politics: Rulership and Identity in Robinson Crusoe”—Frank Donoghue, p. 1
  • “The Novel’s Progress: Faction, Fiction, and Fielding”—Raymond D. Tumbleson, p. 12
  • “The Adultress in the Market-Place: Hawthorne and The Scarlett Letter”—Ken Egan, Jr., p. 26
  • “Broken Mirror, Broken Words: Autobiography, Prosopopeia, and the Dead Mother in Bleak House”—Carolyn M. Dever, p. 42
  • “Zosima, Mikhail, and Prosaic Confessional Dialogue in The Brothers Karamazov”—Paul J. Contino, p. 63
     Reviews:

  • Bell, Millicent. Meaning in Henry James—Rayburn Moore, p. 88
  • Compagnon, Antoine. Proust Between Two Centuries, translated by Richard E. Goodkin—William C. Carter, p. 89
  • Fraiman, Susan. Unbecoming Women: British Women Writers and the Novel of Development—Mona Scheuermann, p. 92
  • Gatrell, Simon. Thomas Hardy and the Proper Study of Mankind—William W. Morgan, p. 93
  • Higonnet, Margaret R., ed. The Sense of Sex: Feminist Perspectives on Hardy—Suzanne R. Johnson, p. 96
  • Scheuermann, Mona. Her Bread to Earn: Women, Money, and Society from Defoe to Austen—Kevin Cope, p. 99
  • Short, Bryan C. Cast by Means of Figures: Herman Melville’s Rhetorical Development—Stan Goldman, p. 103
  • Turner, Cheryl. Living by the Pen: Women Writers in the Eighteenth Century—Kathryn R. King, p. 105
  • Warner, John. Joyce’s Grandfathers: Myth and History in Defoe, Smollett, Sterne, and Joyce—Stephen Soud, p. 107
27.2—SUMMER 1995

     Articles:

  • “Marriage and Family in Fielding’s Fiction”—Gary Gautier, p. 111
  • “The Underground Man: A Question of Meaning”—Linda L. Williams, p. 129
  • “Tom Sawyer’s Games of Death”—Harold Aspiz, p. 141
  • “The Treasure-House of Language: Managing Symbolic Economies in Joyce’s Portrait”—Mark Osteen, p. 154
  • “William Turnergraystyron, Novelist(s): Reactivating State Power in The Confessions of Nat Turner”—Anthony Stewart, p. 169
  • “A World Worth Laughing At: Catch 22 and the Humor of Black Humor”—Daniel Green, p. 186
     Essay-Review:

  • “Recent Fictions in Theory: A Reading of Jay Clayton’s Pleasures of Babel”—Gregory Jay, p. 197
     Reviews:

  • Allen, Dennis W. Sexuality in Victorian Fiction—Pamela K. Gilbert, p. 214
  • Ballaster, Ros. Seductive Forms: Women’s Amatory Fiction from 1684-1740—Hans Turley, p. 215
  • Dunn, Richard J. Oliver Twist: Whole Heart and Soul—Ivan Melada, p. 218
  • Faller, Lincoln. Crime and Defoe: A New Kind of Writing—David Mazella, p. 220
  • Gindin, James. British Fiction in the 1930s: The Dispiriting Decade—Neil Nehring, p. 223
  • Lang, Frederick K. Ulysses and the Irish God—Daniel Schenker, p. 226
  • McGann, Jerome. Black Riders: The Visible Language of Modernism—Michael Wutz, p. 228
  • Quirk, Tom. Coming to Grips with “Huckleberry Finn”—David E. E. Sloane, p. 232
  • Smith, James F. An Inquiry into Narrative Deception and Its Uses in Fielding’s “Tom Jones”—Connie Capers Thorson, p. 234
  • Tate, Claudia. Domestic Allegories of Political Desire: The Black Heroine’s Text at the Turn of the Century—Michele Birnbaum, p. 236
  • Thomas, Deborah. Thackeray and Slavery—Judith L. Fisher, p. 238
  • Weinstein, Arnold. Nobody’s Home: Speech, Self, and Place in American Fiction from Hawthorne to DeLillo—Rosemarie A. Battaglia, p. 240
  • Wonham, Henry B. Mark Twain and the Art of the Tall Tale and Fishkin, Shelley Fisher. Was Huck Black? Mark Twain and African-American Voices—Alan Gribben, p. 243
  • Zomchick, John P. Family and the Law in Eighteenth-Century Fiction: The Public Conscience in the Private Sphere—Murray L. Brown, p. 248
27.3—FALL 1995—Special Number: Editing Novels and Novelists, Now

     Articles:

  • “A Few Last Words, First”—Alexander Pettit, p. 251
  • “Smollett’s Peregrine Pickle Revisited”—O M Brack, Jr., p. 260
  • “Editing Women”—Marilyn Butler, p. 273
  • “Editing for the Classroom: Texts in Contexts”—J. Paul Hunter, p. 284
  • “The Scholarly Editor as Biographer”—James L. W. West III, p. 295
  • ““Pursue that way of Fooling, and be damn’d’: Editing Aphra Behn”—Janet Todd, p. 304
  • “Coleridge on the Semi-Colon in Robinson Crusoe: Problems in Editing Defoe”—Irving N. Rothman, p. 320
  • “Toward the Production of a Text: Time, Space, and David Balfour”—Barry Menikoff, p. 351
  • “Editing Thackeray: A History”—Peter Shillingsburg, p. 363
  • “Conrad in Print and on Disk”—S. W. Reid, p. 375
  • “Editing Cather”—Susan J. Rosowski, Charles Mignon, Kari Ronning, and Frederick M. Link, p. 387
  • “Notes Toward Editing a Contemporary Writer’s Letters”—Elaine M. Kauvar, p. 401
  • “The Auteur-Author Paradox: How Critics of the Cinema and the Novel Talk about Flawed or Even ‘Mutilated’ Texts”—Hershel Parker, p. 413
  • “If That Was Then, Is This Now?”—D. C. Greetham, p. 427
27.4—WINTER 1995

     Articles:

  • “Emblemata Rhetorica: Glossing Emblematic Discourse in Richardson’s Clarissa”—Murray L. Brown, p. 455
  • “Periphrastic Naming in Mary Shelley’s Frankenstein”—Bernard Duyfhuizen, p. 477
  • ““Proving a thing even while you contradict it’: Fictions, Beliefs, and Legitimation in The Memoirs of Barry Lyndon, Esq.”—Robert P. Fletcher, p. 493
  • “Robert Audley’s Secret: Male Homosocial Desire in Lady Audley’s Secret”—Richard Nemesvari, p. 515
  • “A Feminist Fantasy: Conflicting Ideologies in The Odd Women”—Patricia Comitini, p. 529
  • ““Between Dog and Wolf’: Jean Rhys’s Version of Naturalism in After Leaving Mr Mackenzie”—Betsy Berry, p. 544
     Reviews:

  • Amoss, Benjamin McRae, Jr. Time and Narrative in Stendhal—James T. Day, p. 564
  • Barnett, Louise K. Authority and Speech: Language, Society, and Self in the American Novel—Alessandro Portelli, p. 566
  • Brinkmeyer, Robert H. Jr. Katherine Anne Porter’s Artistic Development: Primitivism, Traditionalism, and Totalitarianism—Mary Titus, p. 568
  • Cohen, Sarah Blacker. Cynthia Ozick’s Comic Art: From Levity to Liturgy and Strandberg, Victor. Greek Mind/Jewish Soul: The Conflicted Art of Cynthia Ozick—Elaine M. Kauvar, p. 570
  • Fraiman, Susan. Unbecoming Women: British Women Writers and the Novel of Development and Druxes, Helga. The Feminization of Dr. Faustus: Female Identity Quests from Stendhal to Morgner—Frank G. Nigro, p. 573
  • Genette, Gèrard. Fiction and Diction, translated by Catherine Porter—Robert R. Brock, p. 575
  • Jackson, Robert Louis. Dialogues with Dostoevsky: The Overwhelming Questions—Caryl Emerson, p. 577
  • Kristeva, Julia. Proust and the Sense of Time—Eugene Hollahan, p. 582
  • Monk, Leland. Standard Deviations: Chance and the Modern British Novel—Timothy Morris, p. 584
  • Preston, Peter and Nicola Ceramella, eds., D. H. Lawrence. The Fox and The Virgin and the Gipsy—William K. Buckley, p. 586
  • Relihan, Constance C. Fashioning Authority: The Development of Elizabethan Novelistic Discourse—Jacqueline Vanhoutte, p. 587
  • Schor, Naomi. George Sand and Idealism—Annabelle M. Rea, p. 589
  • Sharpe, Jenny. Allegories of Empire: The Figure of Woman in the Colonial Text—Glenda A. Hudson, p. 591
  • Wilson, Sharon Rose. Margaret Atwood’s Fairy-Tale Sexual Politics—Earl G. Ingersoll, p. 593
  • Winnifrith, Tom. Fallen Women in the Nineteenth-Century Novel—Pamela K. Gilbert, p. 595