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25.1—SPRING 1993

     Articles:

  • “The Narrative Mode of Caleb Williams: Problems and Resolutions”—Gerard A. Barker, p. 1
  • “‘born-free-and-equal’: Benign Cliché and Narrative Imperialism in Melville’s Mardi”—Michael C. Berthold, p. 16
  • “Charles Dickens’s Great Expectations: A Defense of the Second Ending”—Jerome Meckier, p. 28
  • “George Eliot and the Ambiguity of Murder”—Henry Alley, p. 59
  • “‘He is English and Therefore Adventurous’: Politics, Decadence, and Dracula”—Troy Boone, p. 76
  • “Meursault the Straw Man”—Robert R. Brock, p. 92
     Reviews:

  • Ammons, Elizabeth. Conflicting Stories: American Women Writers at the Turn into the Twentieth Century—Susan Morgan, p. 102
  • Bongie, Chris. Exotic Memories: Literature, Colonialism, and the Fin de siècle—Sangeeta Ray, p. 105
  • Erdinast-Vulcan, Daphna. Joseph Conrad and the Modern Temper—Daniel R. Schwarz, p. 108
  • Fergus, Jan. Jane Austen: A Literary Life; Horwitz, Barbara J. Jane Austen and the Question of Women’s Education and MacDonagh, Oliver. Jane Austen: Real and Imagined Worlds—Barry Roth, p. 112
  • Garber, Marjorie. Vested Interests: Cross-Dressing & Cultural Anxiety—Nina Auerbach, p. 114
  • Graham, Kenneth W. The Politics of Narrative: Ideology and Social Change in Godwin’s “Caleb Williams”—Robert G. Robinson III, p. 115
  • Hall, N. John. Trollope: A Biography—Richard Dunn, p. 118
  • Horwitz, Howard. By the Law of Nature: Form and Value in Nineteenth-Century America—John L. Idol, p. 120
  • Hudson, Glenda A. Sibling Love and Incest in Jane Austen’s Fiction—Thomas Marshall, p. 122
  • Rans, Geoffrey. Cooper’s Leather-stocking Novels, a Secular Reading—John Engell, p. 124
  • Tintner, Adeline R. The Cosmopolitan World of Henry James: An Intertextual Study—Geoffrey D. Smith, p. 127
25.2—SUMMER 1993

     Articles:

  • “Learning to Read Richardson: Pamela, ‘speaking pictures,’ and the Visual Hermeneutic”—Murray L. Brown, p. 129
  • “Reading the Symptoms: An Exploration of Repression and Hysteria in Mary Shelley’s Frankenstein”—Colleen Hobbs, p. 152
  • “‘By No Means an Improbable Fiction’: Redgauntlet’s Novel Historicism”—Rohan Maitzen, p. 170
  • “The Instabilities of inheritance in Oliver Twist” —Cates Baldridge, p. 184
  • “The Tailor Transformed: Kingsley’s Alton Locke and the Notion of Change”—Alan Rauch, p. 196
  • “Edith Wharton’s ‘Bad Heroine’: Sophy Viner in The Reef”—William R. MacNaughton, p. 214
     Reviews:

  • Cook, Sylvia Jenkins. Erskine Caldwell and the Fiction of Poverty: The Flesh and the Spirit—Ronald W. Hoag, p. 228
  • Gard, Roger. Jane Austen’s Novels: The Art of Clarity—Patricia Meyer Spacks, p. 230
  • Garson, Marjorie. Hardy’s Fables of Integrity: Woman, Body, Text—Deborah L. Collins, p. 233
  • Heller, Tamar. Dead Secrets: Wilkie Collins and the Female Gothic—John R. Reed, p. 235
  • Hlavsa, Virginia V. James. Faulkner and the Thoroughly Modern Novel—Philip Dubuisson Castille, p. 237
  • Kelsey, Nigel. D. H. Lawrence: Sexual Crisis—Diane S. Bonds, p. 239
  • Masse, Michelle A. In the Name of Love: Women, Masochism, and the Gothic—Jeanette Shumaker, p. 241
  • Posnock, Ross. The Trial of Curiosity: Henry James, William James, and the Challenge of Modernity—Paul B. Armstrong, p. 243
  • Schonhorn, Manuel. Defoe’s Politics: Parliament, Power, Kingship and Robinson Crusoe—Martine Watson Brownley, p. 247
  • Siegel, Carol. Lawrence Among the Women: Wavering Boundaries in Women’s Literary Traditions—Judith Ruderman, p. 249
  • Waid, Candace. Edith Wharton’s Letters from the Underworld: Fictions of Women and Writing—Barbara Bair, p. 251
25.3—FALL 1993

     Articles:

  • “‘Subtle, but remorseful hypocrite’: Dimmesdale’s Moral Character”—Kenneth D. Pimple, p. 257
  • “Villette and The Marble Faun”—Jack C. Wills, p. 272
  • “Reading Blackwater Park: Gothicism, Narrative, and Ideology in The Woman in White”—Stephen Bernstein, p. 291
  • “Some Theories of One’s Own: Orlando and the Novel”—Nicola Thompson, p. 306
  • “Brideshead Revisited and the Modern Historicization of Memory”—David Rothstein, p. 318
  • “Narrative Inscription, History and the Reader in Robert Coover’s The Public Burning”—Richard Walsh, p. 332
     Reviews:

  • Beiderwell, Bruce. Power and Punishment in Scott’s Novels—Deborah A. Gutschera, p. 348
  • Brown, Marshall. Preromanticism—John Richetti, p. 350
  • Kahn, Madeleine. Narrative Transvestism: Rhetoric and Gender in the Eighteenth-Century English Novel—Joel Reed, p. 354
  • Klinkowitz, Jerome. Structuring the Void: The Struggle for the Subject in Contemporary American Fiction—Patrick O’Donnell, p. 356
  • Kowaleski-Wallace, Elizabeth. Their Fathers’ Daughters: Hannah Moore, Maria Edgeworth, and Patriarchal Complicity—Isobel Grundy, p. 358
  • Millington, Richard H. Practicing Romance: Narrative Form and the Cultural Engagement in Hawthorne’s Fiction—John Engell, p. 360
  • Perera, Suvendrini. The English Novel from Edgeworth to Dickens—Joyce Zonana, p. 363
  • Railton, Stephen. Authorship and Audience: Literary Performers in the American Renaissance—Jon Hauss, p. 365
  • Romines, Ann. The Home Plot: Women, Writing and Domestic Ritual—Valerie Fulton, p. 368
  • Scafella, Frank, ed. Hemingway: Essays of Reassessment—Robert W. Lewis, p. 370
  • Sklenicka, Carol. D. H. Lawrence and the Child—Michael Squires, p. 373
  • Stern, Milton R. Contexts for Hawthorne: “The Marble Faun” and the Politics of Openness and Closure in American Literature—Rita K. Gollin, p. 375
  • Wagenknecht, Edward. Seven Masters of Supernatural Fiction—Ivan Melada, p. 377
  • Widmer, Kingsley. Defiant Desire: Some Dialectical Legacies of D. H. Lawrence—Earl Ingersoll, p. 379
25.4—WINTER 1993

     Articles:

  • “Loose Ends in Roxana and The French Lieutenant’s Woman”—Dianne Osland, p. 381
  • “‘Filial Duty’: Reading the Patriarchal Body in ‘The Custom House’”—Eric Savoy, p. 397
  • “‘The Way Our People Came’: Citizenship, Capitalism and Racial Difference in The Valley of the Moon”—Christopher Gair, p. 418
  • “The Vampire Lust in D. H. Lawrence”—Sung Ryol Kim, p. 436
  • “A Farewell to Arms and the Sunday-School Jesus”—Gary Sloan, p. 449
  • “‘The Lie We Must Learn to Live By’: Honor and Tradition in All the King’s Men”—John Blair, p. 457
     Reviews:

  • Bonaparte, Felicia. The Gypsy-Bachelor of Manchester: The Life of Mrs. Gaskell’s Demon—John R. Reed, p. 474
  • DiPiero, Thomas. Dangerous Truths and Criminal Passions: The Evolution of the French Novel, 1569-1791—Julia Douthwaite, p. 476
  • Hyde, Virginia. The Risen Adam: D. H. Lawrence’s Revisionist Typology—Maria DiBattista, p. 481
  • Keymer, Tom. Richardson’s “Clarissa” and the Eighteenth-Century Reader—Paula Backscheider, p. 483
  • Lanser, Susan Sniader. Fictions of Authority: Women Writers and Narrative Voice—Sylvia Bowerbank, p. 486
  • Maltby, Paul. Dissident Postmodernists: Barthelme, Coover, Pynchon—John Whalen-Bridge, p. 490
  • Meyers, Jeffrey. Edgar Allan Poe: His Life and Legacy—Richard Kopley, p. 491
  • Miller, J. Hillis. Ariadne’s Thread: Story Lines—Brian Richardson, p. 493
  • Prince, Gerald. Narrative as Theme: Studies in French Fiction—William Everdell, p. 495
  • Shillingsburg, Peter L. Pegasus in Harness: Victorian Publishing and W. M. Thackeray—Judith Fisher, p. 497