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24.1—SPRING 1992
Articles:
- “‘Silenc’d by Authority’ in Joseph Andrews: Power, Submission, and Mutuality in ‘The History of Two Friends’”—Raymond Stephanson, p. 1
- “‘Pip’ and ‘Property’: the (Re)Production of the Self in Great Expectations”—Gail Turley Houston, p. 13
- “In Defense of the Epilogue of Crime and Punishment”—David Matual, p. 26
- “Sir Austin, His Devil, and the Well-Designed World”—Lewis Horne, p. 35
- “Sinclair Lewis, Paul De Kruif, and the Composition of Arrowsmith”—James M. Hutchisson, p. 48
- “History over Theology: The Case for Pinkie in Greene’s Brighton Rock”—Trevor L. Williams, p. 67
- “Golding’s Lord of the Flies: Pride as Original Sin”—John F. Fitzgerald and John R. Kayser, p. 78
- Bellis, No Mysteries Out of Ourselves: Identity and Textual Form in the Novels of Herman Melville—Gary Scharnhorst, p. 90
- Chapman, The Language of Thomas Hardy—Annette Sisson, p. 90
- Hawthorn, Joseph Conrad: Narrative Technique and Ideological Commitment—William R. Everdell, p. 92
- Jacobs, The Character of Truth: Historical Figures in Contemporary Fiction—Gail Regier, p. 93
- Jones and Goodwin, eds., Feminism, Utopia, and Narrative—Katherine Fishburn, p. 95
- Messenger, Sport and the Spirit of Play in Contemporary American Fiction—Jerome Klinkowitz, p. 99
- Mitchell, Determined Fictions: American Literary Naturalism—Stephen C. Brennan, p. 101
- Reck, Drieu La Rochelle and the Picture Gallery Novel—Robert R. Brock, p. 103
- Swingle, Romanticism and Anthony Trollope: A Study in the Continuities of Nineteenth-Century Literary Thought—Glenda A. Hudson, p. 105
- Tuttleton and Lombardo, eds., The Sweetest Impression of Life: The James Family and Italy—Geoffrey D. Smith, p. 107
- Weekes, Irish Women Writers: An Uncharted Tradition—Marilyn Throne, p. 108
24.2—SUMMER 1992
Articles:
- “Authorized Punishment in Dickens’s Fiction”—John R. Reed, p. 112
- “The Author’s Corpse and the Humean Problem of Personal Identity in Hawthorne’s The House of the Seven Gables”—William J. Scheick, p. 131
- “Space, Time, and Coincidence in Hardy”—Lawrence Jay Dessner, p. 154
- “Narrative Strategy and Imperialism in Conrad’s Lord Jim”—Padmini Mongia, p. 173
- “Some New American Adams: Politics and the Novel into the Nineties”—John Whalen-Bridge, p. 187
- Ames, The Life of the Party: Festive Vision in Modern Fiction—Eugene Hollahan, p. 202
- Dussinger, In the Pride of the Moment: Encounters in Jane Austen’s World—Mary Jane Chaffee, p. 204
- Kramer, ed., Critical Essays on Thomas Hardy: The Novels—Annette Sisson, p. 206
- Lewis, ed., Hemingway in Italy and Other Essays; Weber, Hemingway’s Art of Non-Fiction and Hays, Ernest Hemingway—Gerry Brenner, p. 210
- McCarthy, “The Twisted Mind”: Madness in Herman Melville’s Fiction—Michael Clark, p. 216
- McWilliams, The American Epic: Transforming a Genre, 1770-1860—Richard D. Rust, p. 218
- Oriard, Sporting with the Gods: The Rhetoric of Play and Game in American Culture—Jerome Klinkowitz, p. 220
- Pimental, Metamorphic Narration: Paranarrative Dimentions in A la recherche du temps perdu—Robert R. Brock, p. 222
- Wollaeger, Joseph Conrad and the Fictions of Skepticism—Daniel R. Schwarz, p. 223
24.3—FALL 1992
Articles:
- “Foxhunting and the English Social Order in Trollope’s The American Senator”—Jackson Trotter, p. 227
- “Keeping One’s Distance: Irony and Doubling in Wuthering Heights”—David Galef, p. 242
- “Samuel Clemens and the Ghost of Shakespeare”—James Hirsh, p. 251
- “‘Pure Woman’ and Tragic Heroine? Conflicting Myths in Hardy’s Tess of the D’Urbervilles”—Lynn Parker, p. 273
- “Above Suspicion: Audience and Deception in Under Western Eyes”—Allan Hepburn, p. 282
- “Where Ideology Leaves Off: Cowley, Warren, and Faulkner Revisited”—William Bedford Clark, p. 298
- “Scholarly Editing, Textual Criticism, and Aesthetic Value: The Garland Thackeray Edition Project, A Case Study”—Judith L. Fisher, p. 309
- Alexander, Creating Characters With Charles Dickens—Wilfred Dvorak, p. 322
- Benstock, Narrative Con/Texts in Ulysses—Michael Patrick Gillespie, p. 323
- Bohlmann, Conrad’s Existentialism and Hervouet, The French Face of Joseph Conrad—Kinley E. Roby, p. 324
- Brophy, Women’s Lives and the 18th-Century English Novel—Syndy M. Conger, p. 329
- Dugdale, Thomas Pynchon: Allusive Parables of Power—John Whalen-Bridge, p. 331
- Edmiston, Hindsight and Insight: Focalization in Four Eighteenth-Century French Novels—Julie C. Hayes, p. 332
- Freedman, Professions of Taste: Henry James, British Aestheticism and Commodity Culture—Geoffrey D. Smith, p. 334
- Friedman, Understanding Cynthia Ozick—Elaine M. Kauvar, p. 336
- Gabler-Hover, Truth in American Fiction: The Legacy of Rhetorical Idealism—Michael Clark, p. 338
- Hughes and Lund, The Victorian Serial—Ellen M. Casey, p. 340
- Humma, Metaphor and Meaning in D. H. Lawrence’s Later Novels—Earl G. Ingersoll, p. 342
- Naginski, George Sand: Writing for Her Life—Lynn Hoggard, p. 344
- Tavernier-Courbin, Ernest Hemingway’s A Moveable Feast: The Making of a Myth—Thomas K. Meier, p. 345
24.4—WINTER 1992
Articles:
- “Henry Esmond’s Double Vision”—Terry Tierney, p. 349
- “Dutch Painting and the Simple Truth in Adam Bede”—Daniel P. Gunn, p. 366
- “Who Framed The Good Soldier? Dowell’s Story in Search of a Form”—Frank G. Nigro, p. 381
- “Lawrence in Another Light: Women in Love and Existentialism”—John B. Humma, p. 392
- “Nancibel Taylor and the Dos Passos Canon: Reconsidering Streets of Night”—Janet Galligani Casey, p. 410
- “Dilsey’s Easter Conversion in Faulkner’s The Sound and the Fury”—Philip D. Castille, p. 423
- “Hawthorne and His Culture: Three Recent Views”—Leland S. Person, Jr., p. 434
- Adams, “The Guardian of the Law”: Authority and Identity in James Fenimore Cooper—Michael Clark, p. 444
- Ambrosini, Conrad’s Fiction as Critical Discourse—Vincent P. Pecora, p. 445
- DeJean, Tender Geographies: Women and the Origins of the Novel in France—Elizabeth Goldsmith, p. 447
- Kaplan, Katherine Mansfield and the Origins of Modernist Fiction—William R. Everdell, p. 449
- Laurence, The Reading of Silence, Virginia Woolf in the English Tradition—Harvena Richter, p. 451
- Pearce, The Politics of Narration: James Joyce, William Faulkner, and Virginia Woolf—Bernard Benstock, p. 453
- Skaggs, After the World Broke in Two: The Later Novels of Willa Cather—Barbara Bair, p. 456
- Smollett, The Expedition of Humphry Clinker, ed. Thomas R. Preston—Thomas Lockwood, p. 459
- Stillinger, Multiple Authorship and the Myth of Solitary Genius—Paul Cantor, p. 460
- Timmerman, John Steinbeck’s Fiction: The Aesthetics of the Road Taken—Christopher S. Busch, p. 463
- Toyama, Beckett’s Game: Self and Language in the Trilogy—Brian Evenson, p. 465