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8.1—SPRING 1976
     Articles:

  • “Why Pierre Went Wrong”—Hershel Parker, p. 7
  • “Money in the Novels of Fanny Burney”—Edward W. Copeland, p. 24
  • “Kinship and Guilt in Mary Shelley’s Frankenstein”—John A. Dussinger, p. 38
  • “The Carlylean Vision of A Tale of Two Cities”—David D. Marcus, p. 56
  • “‘Yankee Gothic’: Hawthorne’s ‘Castle of Pyncheon’”—Ronald T. Curran, p. 69
  • “Caleb Williams and the Attack on Romance”—C. R. Cropf, p. 81
  • “What Maisie Knew: The Myth of the Artist”—William L. Nance, p. 88
  • “The Gissing Revival, 1961–1974”—John Halperin, p. 103
     Review Essay:

  • “A Portrait of the Novelist as a Young Man: The Letters of Henry James”—Adeline R. Tintner, p. 121
     Reviews:

  • Cash, Lawrence Sterne: The Early & Middle Years—Mary Wagoner, p. 130
  • Klinkowitz, Literary Disruptions: The Making of a Post-Contemporary American Fiction—Charles Caramello, p. 131
  • Rawlins, Thackeray’s Novels: A Fiction That Is True—Michael G. Sundell, p. 133
  • Thorburn, Conrad’s Romanticism—Kinley E. Roby, p. 136
8.2—SUMMER 1976

     Articles:

  • “The Narrator, the Satellites, and Isabel Archer: Point of View in The Portrait of a Lady”—Martha Collins, p. 142
  • “Blending Cadences: Rhythm and Structure in Moby-Dick”—Marden J. Clark, p. 158
  • “George’s Illumination: Unity in Giles Goat-Boy”—Charles B. Harris, p. 172
  • “Narration in the Making of Manhattan Transfer”—Lois Hughson, p. 185
  • “Anglo-American Fiction Theory 1947-1962”—Norman Friedman, p. 199
  • “Fielding’s Lady Booby and Fénelon’s Calypso”—James E. Evans, p. 210
     Review Essays:

  • “Some Recent Melville Studies”—Donald Yannella, p. 214
  • “The Imaginative Dickens”—Richard J. Dunn, p. 223
  • “Profiling an Erotic Prophet: Recent Lawrence Biographies”—Kingsley Widmer, p. 234
     Reviews:

  • Boyd, The Novels of G. K. Chesterton—W. J. Scheick, p. 246
  • Cox, Joseph Conrad: The Modern Imagination—Kinley E. Roby, p. 247
  • Halperin, Egoism and Self-Discovery in the Victorian Novel: Studies in the Ordeal of Knowledge in the Nineteenth Century—Alan Warren Friedman, p. 249
  • Hassan, Paracriticisms: Seven Speculations of the Times—Charles Caramello, p. 250
8.3—FALL 1976

     Articles:

  • “Speaking of Paul Morel: Voice, Unity, and Meaning in Sons and Lovers”—Daniel R. Schwarz, p. 255
  • “Jason Compson and Sut Lovingood: Southwestern Humor as Stream of Consciousness”—Stephen M. Ross, p. 278
  • “Toward New Archetypal Forms: Boston Adventure”—Jeanette W. Mann, p. 291
  • “The Image of the Child and the Plot of Jane Eyre”—William R. Siebenschuh, p. 304
  • “Science, Myth, and Fiction in H. G. Wells’s Island of Dr. Moreau”—Roger Bowen, p. 318
     Review Essays:

  • “Bolts of Iron”—James Gindin, p. 336
  • “On Doing unto Joyce before He Does unto You: Modes of Critical Engagement in Some Recent Joyce Studies”—Charles Rossman, p. 351
     Reviews:

  • Alter, Partial Magic: The Novel as a Self-Conscious Genre—Richard J. Dunn, p. 368
  • Guttenberg, Web of Being: The Novels of Robert Penn Warren—Neil Nakadate, p. 369
  • Lewis, Edith Wharton: A Biography and Edith Wharton and the Novel of Manners—Adeline Tintner, p. 371
  • Poole, Gissing in Context—John Halperin, p. 374
8.4—WINTER 1976

     Articles:

  • “The Path of Sympathy: Abstraction and Imagination in Camus’ La Peste”—Eugene Hollahan, p. 377
  • “The Catch-22 Note Cards”—James Nagel, p. 394
  • “Other Bodies: Roxana’s Confession of Guilt”—Steve Cohan, p. 406
  • “From Passion to Impasse: The Structure of a Dark Romantic Theme in Hawthorne, Howells, and Barth”—Kermit Vanderbilt, p. 419
  • “Time and Typology in George Eliot’s Early Fiction”—Carl R. Kropf, p. 430
  • “Isabel Archer and Victorian Manners”—Mary S. Schriber, p. 441
  • “The Tenants in the House of Fiction”—Stephen G. Kellman, p. 458
     Review Essays:

  • “Defoe and the Novel: Two Recent Studies”—Frederick R. Karl, p. 468
  • “Celebrating the Bicentennial: Jane Austen and Her Recent Critics”—Barry Roth, p. 474
     Reviews:

  • Bergon, Stephen Crane’s Artistry—Eric Solomon, p. 484
  • Bassoff, Toward Loving: The Poetics of the Novel and the Practice of Henry Green—Keith C. Odom, p. 486
  • Rothstein, Systems of Order and Inquiry in Later Eighteenth-Century Fiction—Larry Carver, p. 487