ARCHIVES
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19.1—SPRING 1987
Articles:
- “‘My only sister now’: Incest in Mansfield Park”—Johanna M. Smith, p. 1
- “Dombey and Son: A Sentimental Family Romance”—Lyn Pykett, p. 16
- “The Importance of Being Gwendolen: Contexts for George Eliot’s Daniel Deronda”—Sara M. Putzell, p. 31
- “The Monastery and The Abbot: Scott’s Religious Dialectics”—Lionel Lackey, p. 46
- “Satiric Deceit in the Ending of Adventures of Huckleberry Finn”—David Kaufmann, p. 66
- “More Matter, Less Art: The Continuing Course of Lawrence Criticism”—John B. Humma, p. 79
- “Juvenile Waugh”—Jerome Meckier, p. 91
- Baym, Novels, Readers, and Reviewers: Responses to Fiction in Antebellum America—Richard D. Rust, p. 98
- Bell, Defoe’s Fiction—Manuel Schonhorn, p. 99
- Damrosch, God’s Plot & Man’s Stories: Studies in the Fictional Imagination from Milton to Fielding—Barry Roth, p. 101
- Fisher, Hard Facts: Setting and Form in the American Novel—Raymund A. Paredes, p. 103
- Forster, Commonplace Book, ed. Philip Gardner—Elgin W. Mellown, p. 104
- Hochman, Character in Literature—Brian Rosenberg, p. 106
- Jones, James the Critic—Judith E. Funston, p. 107
- Scheckner, Class, Politics, and the Individual: A Study of the Major Works of D. H. Lawrence—Michael Squires, p. 113
- Sherzer, Representation in Contemporary French Fiction—Robert R. Brock, p. 114
- Smith, The Achievement of Graham Greene—Richard Kelly, p. 117
- Rebuttals (Stoltzfus vs. Brock)—p. 120
19.2—SUMMER 1987
Articles:
- “Rococo and the Novel”—William Park, p. 125
- “Mansfield Park: Free Indirect Discourse and the Psychological Novel”—Louise Flavin, p. 137
- “The Narrator as Audience: Ishmael as Reader and Critic in Moby-Dick”—Manfred Putz, p. 160
- “Their Wedding Journey: In Search of a New Fiction”—John E. Bassett, p. 175
- “‘The End Is the Devil’: The Conclusions to Conrad’s Under Western Eyes”—David Leon Higdon and Robert R. Sheard, p. 187
- “Biography and Criticism”—Peter Casagrande, p. 197
- Auchard, Silence in Henry James: The Heritage of Symbolism and Decadence; Goetz, Henry James and the Darkest Abyss of Romance; Tanner, Henry James: The Writer and His Work and Tintner, The Museum World of Henry James—Geoffrey D. Smith, p. 210
- Benstock, James Joyce—Stephen Whittaker, p. 215
- Larson, Dickens and the Broken Scripture—Brian C. Rosenberg, p. 217
- Lynch, Henry Fielding and the Heliodoran Novel—Sylvia Kasey Marks, p. 219
- Lynch, Henry Fielding and the Heliodoran Novel—Sylvia Kasey Marks, p. 219
- Raval, The Art of Failure: Conrad’s Fiction—Dan Schwarz, p. 223
- Reynolds, The Young Hemingway—Gerry Brenner, p. 225
- Ruppert, Reader in a Strange Land: The Activity of Reading Literary Utopias—Gorman Beauchamp, p. 228
- Van Caspel, Bloomers on the Liffey: Eisegetical Readings of Joyce’s “Ulysses”—Charles Rossman, p. 231
- Weiss, Fairy Tale and Romance in Work of Ford Madox Ford—Joseph Wiesenfarth, p. 233
- Wier, Allen, and Don Hendrie, Jr., Voicelust: Eight Contemporary Fiction Writers on Style—Robert Con Davis, p. 236
19.3—FALL 1987—Women and Early Fiction Special Number
Articles:
- “Introduction”—Jerry C. Beasley, p. 239
- “Women Writers and the Chains of Identification”—Paula R. Backscheider, p. 245
- “Voice and Gender in Eighteenth-Century Fiction: Haywood to Burney”—John J. Richetti, p. 263
- “Female Changelessness; or, What Do Women Want?”—Patricia Meyer Spacks, p. 273
- “What Fanny Felt: The Pains of Compliance in Memoirs of a Woman of Pleasure”—Carol Houlihan Flynn, p. 284
- “Shakespeare’s Novels: Charlotte Lennox Illustrated”—Margaret Anne Doody, p. 296
- “Women and Money in Eighteenth-Century Fiction”—Mona Scheuermann, p. 311
- “Controlling the Text: Women in Tom Jones”—April London, p. 323
- “Jane Austen and Female Reading”—Robert W. Uphaus, p. 334
- “Why There’s No Sex in Jane Austen’s Fiction”—Susan Morgan, p. 346
- “The Falling Woman in Three Victorian Novels”—Beth Kalikoff, p. 357
- “Fanny N. Mayne’s Jane Rutherford and the Tradition of the Social-Protest Novel in England”—Joseph A. Kestner, p. 368
- “Patriarchal Ideology and Marginal Motherhood in Victorian Novels by Women”—Elizabeth Langland, p. 381
19.4—WINTER 1987
Articles:
- “The Mitigated Truth: Tom Jones’s Double Heroism”—Peter J. Carlton, p. 397
- “Estella’s Parentage and Pip’s Persistence: The Outcome of Great Expectations”—Stanley Friedman, p. 410
- “‘The Patter’s All Missed’: Separation/Individuation in The Mill on the Floss”—Eva Fuchs, p. 422
- “Trollope’s Satire in The Warden”—Thomas A. Langford, p. 435
- “‘A More Splendid Necromancy’: Mark Twain’s Connecticut Yankee and the Electrical Revolution”—Jane Gardiner, p. 448
- “Mocking Fate: Romantic Idealism in Edith Wharton’s The Reef”—James W. Tuttleton, p. 459
- “Seraphic Seduction in Portrait of the Artist and Ulysses”—Theresa M. DiPasquale, p. 475
- “Canonizing Iris Murdoch”—John J. Burke, Jr., p. 486
- Gilmour, The Novel in the Victorian Age; Hawthorn, The Nineteenth-Century British Novel and Weiss, The Hell of the English: Bankruptcy and the English Novel—Rosemary VanArsdel, p. 495
- Patteson, A World Outside: The Fiction of Paul Bowles—Gena Dagel, p. 497
- Rosowski, The Voyage Perilous: Willa Cather’s Romanticism—Barbara Bair, p. 501
- Vann, Victorian Novels in Serial—Michael Lund, p. 503
- Veeder, Mary Shelley & Frankenstein: The Fate of Androgyny—Scott Simpkins, p. 505
- Wallace, Early Cooper and His Audience—Ross J. Pudaloff, p. 507
- West, Sheer Fiction—David W. Madden, p. 511
- Williams, Jane Austen: Six Novels and Their Methods—Loraine Fletcher, p. 513