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12.1—SPRING 1980
     Articles:

  • “Sexual Education and Sexual Values in Tom Jones: Confusion at the Core?”—Gene S. Koppel, p. 1
  • “A Perspective of One’s Own: Thomas Hardy and the Elusive Sue Bridehead”—Elizabeth Langland, p. 12
  • “Essence and Apparition in Proust”—Donald Aynesworth, p. 29
  • “Dos Passos’s World War: Narrative Technique and History”—Lois Hughson, p. 46
  • “Charles Brockden Brown and the International Novel”—Charles E. Bennett, p. 62
     Review Essays:

  • “Women and Fiction: Literature as Politics”—Lydia Blanchard, p. 65
  • “Configurations of the Ego: Studies of Mailer, Roth, and Salinger”—Peter Balbert, p. 73
     Reviews:

  • Arac, Commissioned Spirits: The Shaping of Social Motion in Dickens, Carlyle, Melville, and Hawthorne—Richard J. Dunn, p. 84
  • Bonaparte, The Triptych and The Cross: A Key to George Eliot’s Mythologies—Victoria S. Middleton, p. 86
  • Finholt, American Visionary Fiction: Mad Metaphysics as Salvation Psychology—Ann Rayson, p. 88
  • Gomme, D. H. Lawrence—Susan Chisholm, p. 89
  • Higgins, Herman Melville: An Annotated Bibliography—Watson Branch, p. 92
  • Smith, Socialist Propaganda in the Twentieth Century British Novel—Ivan Melada, p. 95
  • Smith, Democracy and the Novel: Popular Resistance to Classic American Writers and Baym, Woman’s Fiction: A Guide to Novels by and about Women in America, 1820–1870—Anthony Channell Hilfer, p. 97
12.2—SUMMER 1980

     Articles:

  • “Kings and Commoners in Moby-Dick”—Larry J. Reynolds, p. 101
  • “The Loss of Youth in Nostromo”—Clarence B. Lindsay, p. 114
  • “The Mysteries of Udolpho and Clermont: The Radcliffean Encroachment on the Art of Regina Maria Roche”—Natalie Schroeder, p. 131
  • “John Jarndyce of Bleak House”—Russell M. Goldfarb, p. 144
     Review Essay:

  • “One for the Money, Two for the Show: Three New Austen Studies”—Barry Roth, p. 153
     Reviews:

  • Cohen, ed., Comic Relief: Humor in Contemporary American Literature—Ann Rayson, p. 164
  • Friedman, Multivalence: The Moral Quality of Form in the Modern Novel—Daniel R. Schwarz, p. 166
  • Grundy, Hardy and the Sister Arts—Peter J. Casagrande, p. 168
  • Hone, Dorothy L. Sayers: A Literary Biography and Hannay, ed., As Her Whimsey Took Her—Laura Krugman Ray, p. 170
  • Rubenstein, The Novelistic Vision of Doris Lessing: Breaking the Forms of Consciousness—Elizabeth Abel, p. 173
  • Rutherford, The Literature of War: Five Studies in Heroic Virtue—Ivan Melada, p. 176
  • Schlack, Continuing Presences: Virginia Woolf’s Use of Literary Allusion—Avrom Fleishman, p. 179
12.3—FALL 1980

     Articles:

  • “Sexuality in The Leatherwood God”—Charles Feigenoff, p. 183
  • “Geography and Structure in Huckleberry Finn”—Michael G. Miller, p. 192
  • “Clara Middleton: Wit and Pattern in The Egoist”—Maaja A. Stewart and Elvira Casal, p. 210
  • “The Haunted Portrait of a Lady”—Alden R. Turner, p. 228
     Review Essay:

  • “As Light as a Trout”—James Gindin, p. 239
     Reviews:

  • Stallybrass, ed., A Passage to India and The Manuscripts of A Passage to India—Avrom Fleishman, p. 260
  • Morris, Friday’s Footprint: Structuralism and the Articulated Text—William R. Goetz, p. 261
  • Warner, Reading Clarissa: The Struggles of Interpretation—Judith Wilt, p. 264
  • Grossvogel, Mystery and Its Fictions: From Oedipus to Agatha Christie—D. A. Miller, p. 267
  • Railton, Fenimore Cooper: A Study of His Life and Imagination—Richard D. Rust, p. 269
  • Easson, Elizabeth Gaskell—Felicia Bonaparte, p. 271
  • Blount, George Sand and the Victorian World—Ivan Melada, p. 274
  • Apter, Virginia Woolf: A Study of Her Novels—Susan R. Gorsky, p. 276
12.4—WINTER 1980

     Articles:

  • “Defoe’s Roxana: The Unresolved Experiment in Characterization”—Raymond Stephanson, p. 279
  • “The Language of Rogues and Fools in Brackenridge’s Modern Chivalry”—William W. Hoffa, p. 289
  • “The Narrative Framing Apparatus of Scott’s Old Mortality”—John B. Humma, p. 301
  • “’Providential Encounters in Charlotte Brontë’s Fiction”—Rebecca Rodolff, p. 316
  • “Public Means and Private Ends: The Psychodynamics of Reform in James’s Middle-Period Novels”—Annette Larson Benert, p. 327
  • “The Turn of the Screw as Writer’s Parable”—E. C. Curtsinger, p. 344
  • “The Protean Image: The Role of Mr. Carmichael in To the Lighthouse”—Jean Elliott, p. 359
     Review Essays:

  • “On ‘Fabulation and Metafiction’”—Robert A. Morace, p. 369
  • “Forster’s Explorations”—Judith Ruderman, p. 375
     Reviews:

  • Elder, The “Hindered Hand”: Cultural Implications of Early African-American Fiction—Robert E. Fleming, p. 382
  • Gilbert and Gubar, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination—Victoria Middleton, p. 383
  • Schor, Zola’s Crowds—Donald G. Marshall, p. 385
  • Sorokin, Tolstoy in Prerevolutionary Russian Criticism—Carol Avins, p. 388
  • Caserio, Plot, Story, and the Novel: From Dickens and Poe to the Modern Period—Alfred Hornung, p. 390
  • Rimer, Modern Japanese Fiction and Its Traditions, An Introduction—Roy E. Teele, p. 393
  • Allen, The Achievement of Margaret Fuller—Ann Rayson, p. 396
  • Oldsey, Hemingway’s Hidden Craft: The Writing of A Farwell to Arms—Robert W. Lewis, p. 398
  • Hendin, Vulnerable People: A View of American Fiction since 1945 and McConnell, Four Postwar American Novelists—Mas’ud Zavarzadeh, p. 400