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16.1—SPRING 1984

     Articles:

  • “Gins and Spirits: The Letter’s Edge in Hardy’s Jude the Obscure”—Alexander Fischler, p. 1
  • “Booth’s Progress and the Resolution of Amelia”—Carla Mulford, p. 20
  • “Heroism, Culture, and Dread in The Sign of Four”—Kirby Farrell, p. 32
  • “Dreiser’s Cowperwood and the Dynamics of Naturalism”—Lois Hughson, p. 52
  • “Strategies of Self-Deception in Willa Cather’s Professor’s House”—James F. Maxfield, p. 72
  • “An Old Form Revitalized: Philip Roth’s Ghost Writer and the Bildungsroman”—W. Clark Hendley, p. 87
  • “The Multifarious Cad in Finnegans Wake: Recurrent Elements in His Encounter with HCE”—Marion W. Cumpiano, p. 101
     Review Essay:

  • “Recent Lawrence Criticism”—John B. Humma, p. 111
     Reviews:

  • Becker, Master European Realists of the Nineteenth Century—William K. Buckley, p. 118
  • Bernheimer, Flaubert and Kafka: Studies in Psychopoetic Structure—Eugene Hollahan, p. 120
  • Lee, Nathaniel Hawthorne: New Critical Essays—Terence Martin, p. 122
  • Lonoff, Wilkie Collins and His Victorian Readers: A Study in the Rhetoric of Authorship—C. M. Colee, p. 123
  • Page, Thomas Hardy Annual, No. 1 and Hasan, Thomas Hardy: The Sociological Imagination—Judith B. Wittenberg, p. 126
  • Quirk, Melville’s Confidence Man: From Knave to Knight and Moore, That Cunning Alphabet: Melville’s Aesthetics of Nature—James R. Russo, p. 128
  • Trompley, All That Summer She Was Mad. Virginia Woolf: Female Victim of Male Medicine and Poole, The Unknown Virginia Woolf—Harvena Richter, p. 133
16.2—SUMMER 1984

     Articles:

  • “Rewriting Pamela: Social Change and Religious Faith in Joseph Andrews”—Brian McCrea, p. 137
  • “The Bank and the Old Pyncheon Family”—Sarah I. Davis, p. 150
  • “Fact, Opinions, and Possibilities: Melville’s Treatment of Insanity Through White-Jacket”—Paul McCarthy, p. 167
  • “Demeter and Poseidon: Fusion and Distance in To the Lighthouse”—Anne G. Hoffman, p. 182
  • “Henry Green as Experimental Novelist”—Andrew Gibson, p. 197
  • “The Art and Economics of Destitution in Jean Rhys’s After Leaving Mr. Mackenzie”—Arnold E. Davidson, p. 215
  • “‘This Lousy Little Book’: The Genesis and Development of Slaughterhouse Five as Revealed in Chapter One”—T. J. Matheson, p. 228
     Reviews:

  • Budd, Adventures of Huckleberry Finn (Tom Sawyer’s Comrade), by Mark Twain. A Facsimile of the Manuscript—Henry Nash Smith, p. 241
  • Davies, Emily Brontė: The Artist as a Free Woman—Keith C. Odom, p. 244
  • Durkin, Sergei Aksakov and Russian Pastoral—Edward Wasiolek, p. 246
  • Ermarth, Realism and Consensus in the English Novel—William K. Buckley, p. 248
  • Harris, Mark Twain’s Escape from Time: A Study of Patterns and Images and Johnson, Mark Twain and the Limits of Power: Emerson’s God in Ruins—Michael Oriard, p. 250
  • Herzog, Women, Ethnics, and Exotics: Images of Power in Mid-Nineteenth-Century American Fiction and Huf, A Portrait of the Artist as a Young Woman: The Writer as Heroine in American Literature—Susan Morgan, p. 252
  • Shaw, The Forms of Historical Fiction: Sir Walter Scott and His Successors—Judith K. Wilt, p. 254
  • Sill, Defoe and the Idea of Fiction 1713-1719 and Macey, Money and the Novel: Mercenary Motivation in Defoe and His Immediate Successors—Daniel Cottom, p. 256
  • Sterne, The Life and Opinions of Tristram Shandy, Gentleman—Howard Anderson, p. 259

16.3—FALL 1984

     Articles:

  • “The Case of Pride and Prejudice”—Joseph Wiesenfarth, p. 261
  • “Elizabeth Gaskell: The Telling of Feminine Tales”—Barbara Weiss, p. 274
  • “Democratic Leadership and Narrative Authority in Moby-Dick”—Mark R. Patterson, p. 288
  • “On the Knocking at the Gate in The Old Curiosity Shop”—Wilfred P. Dvorak, p. 304
  • An Interview with Stanley Elkin in St. Louis—p. 314
     Review Essay:

  • “Three Ways of Viewing James”—Adeline R. Tintner, p. 326
     Reviews:

  • Abel, Hirsch, and Langland, The Voyage In: Fictions of Female Development—Lorrie Goldensohn, p. 339
  • Axelrod, Charles Brockden Brown: An American Tale—James R. Russo, p. 341
  • Bell, The Sentiment of Reality: Truth of Feeling in the European Novel and Davis, Factual Fictions: The Origins of the English Novel—John J. Burke, Jr., p. 343
  • Cowart, Arches and Light: The Fiction of John Gardner—Leonard Butts, p. 347
  • Jones, Dostoevsky—Edward Wasiolek, p. 350
  • Melada, Guns for Sale: War and Capitalism in English Literature, 1851-1939—Eugene Hollahan, p. 352
  • Overton, The Unofficial Trollope—Susan Morgan, p. 354
  • Watson, The Novels of Jack London: A Reappraisal—Stephen C. Brennan, p. 355
16.4—WINTER 1984

     Articles:

  • “The Making of a ‘Gentle Reader’: Narrator and Reader in Hawthorne’s Romances—Mary Gosselink De Jong, p. 359
  • “Maggie Tulliver’s ‘Stored-Up Force’: A Re-reading of The Mill on the Floss”—John P. Bushnell, p. 378
  • “Pierre: Domestic Confidence Game and the Drama of Knowledge”—Wai-chee Dimock, p. 396
  • “Watching the Orachards Robbed: Dowell and The Good Soldier”—David H. Lynn, p. 410
  • “Tables in Trees: Realism in To the Lighthouse”—Bruce Bassoff, p. 424
  • “The Dialectic of Hero and Anti-Hero in Rameau’s Nephew and Dangling Man—Jo Brans, p. 435
     Review Essay:

  • “Revaluation or Rehash?: An Essay-Review of Three New Additions to Hemingway Studies”—Leonard Butts, p. 448
     Reviews:

  • Adrian, Dickens and the Parent-Child Relationship and Page, A Dickens Companion—Richard J. Dunn, p. 458
  • Baker, The Dark Historic Page: Social Satire and Historicism in the Novels of Aldous Huxley, 1921-1939—Charles M. Holmes, p. 458
  • Hall, Joyce Cary: A Reappraisal—Edwin Ernest Christian, p. 462
  • Squires, The Creation of Lady Chatterley’s Lover—William K. Buckley, p. 464
  • Summers, E. M. Forster—Keith C. Odom, p. 467
  • Terry, Victorian Popular Fiction, 1860-1880 and Watt, The Fallen Woman in the Nineteenth-Century English Novel—Rosemary T. VanArsdel, p. 469