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35.1—SPRING 2003
Articles:
- “Expanding Empires, Expanding Selves: Colonialism, the Novel and Robinson Crusoe”—Brett C. McInelly, p. 1
- “‘Mimic Sorrows’: Masochism and the Gendering of Pain in Victorian Melodrama”—Ellen Bayuk Rosenman, p. 22
- “Conradian Reminders in Aldous Huxley’s Island: Will Farnaby’s Moksha-medicine Experience and‘The Essential Horror’”—Jerome Meckier, p. 44
- “The Primal Scene in the Public Domain: E. L. Doctorow’s The Book of Daniel”—Naomi Morgenstern, p. 68
- “Narrative Beginnings in Amy Tan’s The Joy Luck Club: A Feminist Study”—Catherine Romagnolo, p. 89
- “The Case for Crime”—David Arnold, p. 108
- Boon, Kevin Alexander, ed. At Millennium’s End: New Essays on the Work of Kurt Vonnegut—Sam Fisher Dodson, p. 120
- Cahalan, James M. Edward Abbey: A Life—Tom Pilkinton, p. 122
- Gutjahr, Paul C., ed. Popular American Literature of the Nineteenth Century—Thomas Bonner, Jr., p. 124
- Moglen, Helene. The Trauma of Gender: A Feminist Theory of the Novel and Watkins, Susan. Twentieth-Century Women Novelists: Feminist Theory into Practice—Josephine Donovan, p. 126
- Osteen, Mark. American Magic and Dread: Don DeLillo’s Dialogue with Culture—Philip Nel, p. 128
- Tanner, Tony. The American Mystery: Essays on American Literature from Emerson to DeLillo—John Carlos Rowe, p. 131
35.2—SUMMER 2003—Special Number: William Gilmore Simms (1806-1870)
Articles:
- “Introduction”—Miriam J. Shillingsburg, p. 135
- “‘Foolish Talk ’Bout Freedom’: Simms’s Vision of America in The Yemassee”—Vincent King, p. 139
- “Simms and the American Apocalypse: Woodcraft and The Cassique of Kiawah Chart a Course”—Jan Bakker, p. 149
- “Simms’s Bosky Gothic, the‘Region of Doubt and Shadow’”—Benjamin F. Fisher, p. 157
- “Jilted Southern Women: The Defiance of Margaret Cooper and Her Twentieth-Century Succesors”—Caroline Collins, p. 178
- “Narrating Social Theory: William Gilmore Simms’s Woodcraft”—Renée Dye, p. 190
- “Dory’s Bible, Acts, and The Devil at Our Elbow”—James Everett Kibler, p. 208
- “The Battered Woman Syndrome in Simms’s Fiction”—Miriam J. Shillingsburg, p. 219
- “‘The Fall of the House of Usher,’ Simms’s Castle Dismal, and The Scarlet Letter: Literary Interconnections”—Molly Boyd, p. 231
- “Simms’s Vasconselos: A Multicultural Reading”—Peter Murphy, p. 243
- Avery, Evelyn, ed. The Magic Worlds of Bernard Malamud—Martin Urdiales Shaw, p. 264
- Barrish, Phillip. American Literary Realism, Critical Theory, and Intellectual Prestige, 1880-1995—Christopher Stuart, p. 268
- Boswell, Marshall. John Updike’s Rabbit Tetralogy: Mastered Irony in Motion—Lawrence Broer, p. 270
- Conner, Marc C., ed. The Aesthetics of Toni Morrison: Speaking the Unspeakable—Genevieve West, p. 272
- Cowart, David. Don DeLillo: The Physics of Language and Don DeLillo’s Underworld. A Reader’s Guide—Christian Moraru, p. 275
- Dames, Nicholas. Amnesiac Selves: Nostalgia, Forgetting, and British Fiction, 1810-1870—Steven Walker, p. 278
- Griffin, Susan M., ed. Henry James Goes to the Movies—Allan Burns, p. 280
- Quirk, Tom. Nothing Abstract: Investigations in the Literary Imagination—Robert B. Haas, p. 283
35.3—FALL 2003—Special Number: The Legacy of Raymond Chandler: Neither Tarnished Nor Afraid
Articles:
- “Introduction: The Complex History of a‘Simple Art’”—Miranda B. Hickman, p. 285
- “‘Nothing You Can’t Fix’: Screening Marlowe Masculinity”—Megan E. Abbott, p. 305
- “Film Adaptation and the Censors: 1940s Hollywood and Raymond Chandler”—John Paul Athanasourelis, p. 325
- “No Order From Chaos: The Absence of Chandler’s Extra-Legal Space in the Detective Fiction of Chester Himes and Walter Mosley”—Scott Bunyan, p. 339
- “Chandler’s Waste Land”—Jonathan Paul Eburne, p. 366
- “Marlowe in Mirrorshades: The Cyberpunk (Re-)Vision of Chandler”—Joseph Nazare, p. 383
- “Plotting Chandler’s Demise: Ross Macdonald and the Neo-Aristotelian Detective Novel”—Michael D. Sharp, p. 405
- Dalsimer, Katherine. Virginia Woolf: Becoming a Writer—Panthea Reid, p. 430
- Hermann, Anne. Queering the Moderns: Poses/Portraits/Performances—Richard Ruppel, p. 433
- Heusel, Barbara Stevens. Iris Murdoch’s Paradoxical Novels: Thirty Years of Critical Reception—W. S. Hampl, p. 436
- McGee, Patrick. Joyce Beyond Marx: History and Desire in “Ulysses” and “Finnegans Wake”—Michael Patrick Gillespie, p. 439
- Weisberg, David. Chronicles of Disorder: Samuel Beckett and the Cultural Politics of the Modern Novel—Richard Begam, p. 440
35.4—WINTER 2003
Articles:
- “Narrative Transference and Female narcissism: The Social Message of Adam Bede”—Nancy Anne Marck, p. 447
- “‘…among the Ruins’: Narrative Archaeology in The Mayor of Casterbridge”—Bharat Tandon, p. 471
- “The Secret Policeman’s Couch: Informing, Confession, and Interpellation in Conrad’s Under Western Eyes”—Andrew Long, p. 490
- “Creative Disability/Disabled Creativity In Henry Green’s Blindness (1926)”—Pascale Aebischer, p. 510
- “William Gaddis Calling: Telephonic Satire and the Disconnection of Authority”—Tim Conley, p. 526
- “Waiting for the End: Closure in Margaret Atwood’s The Blind Assassin”—Earl Ingersoll, p. 543
- “Three Faces of Joyce”—Michael H. Begnal, p. 559
- Dasenbrock, Reed Way. Truth and Consequences: Intentions, Conventions, and the New Thematics—Peter Richardson, p. 564
- David, Deirdre, ed. The Cambridge Companion to the Victorian Novel and Baker, William and Kenneth Womack, eds. A Companion to the Victorian Novel—Robert A. Colby, p. 566
- Ingham, Patricia. Invisible Writing and the Victorian Novel: Readings in Language and Ideology—Steven C. Walker, p. 570
- Mangen, Anne and Rolf Gaasland, eds. Blissful Bewilderment: Studies in the Fiction of Thomas Pynchon—Bruno Arich-Gerz, p. 572
- Schramm, Jan-Melissa. Testimony and Advocacy in Victorian Law, Literature, and Theology—Walter Kokernot, p. 576
- Shaw, Harry E. Narrating Realism: Austen, Scott, Eliot—Richard Henry, p. 578